Showing posts with label Lee Bennet Hopkins Poetry Award. Show all posts
Showing posts with label Lee Bennet Hopkins Poetry Award. Show all posts

Monday, April 10, 2017

Hopkins Award Poetry: Jazz

Myers, Walter Dean. 2006. Jazz. Illustrated by Christopher Myers. New York: Holiday House. ISBN: 9780823415458.


Image courtesy walterdeanmyers.net
Review and Critical Analysis
Jazz by Walter Dean Myers is a collection of fifteen poems that recreate the experience of jazz music. From the opening poem that
summons the drumming rhythms of jazz’s African heritage to the poem “Three Voices” that highlights jazz instruments like the bass, piano, and horn, each poem presents an experience with the rhythms and emotions of jazz music.

The language of Jazz gives readers a sense of the motivating power of jazz music. The verbs Myers uses all portray active, vibrant movement. For example, in “Good-bye to Old Bob Johnson,” Myers employs verbs like “swinging,” “singing,” “stepping,” and “dipping” to describe the actions of the mourners. Even in a serious occasion like a funeral procession, the people are so filled with emotion they can’t help but move to the music.

Myers further connects the subject of jazz music with his poetry through his use of sound devices in each of the poems. He uses different forms of rhyme and repetition to create a jazz rhythm in each poem. In “Stride,” he accomplishes this by combining both internal and end rhyme with repeated words as he starts the poem:

We got jiving in our bones, and it won’t leave use alone--we’re really moving
               Jiving      bones
We got pride in our stride, and we know it’s all the style--we’re steady grooving
               Pride      stride.

The visuals in Jazz provide another layer to the power and emotion conveyed by the language. Myers’s son, Christopher created bold images of musicians and instruments with bright colored backgrounds by layering black ink on acetate over acrylic paintings to create striking illustrations with depth and richness. Even the typography of the poems includes multiple fonts and colors emphasizes key lines of the poems and adds movement to the words.

Jazz begins with an introduction to jazz music and its history and closes with a glossary of jazz and a jazz timeline, providing nonfiction text features to support the historical significance of jazz music and the jazz artists noted in the poems. The Lee Bennett Hopkins Poetry Award Honor book and ALA Notable Children’s Book is a beautiful library or classroom resource to connect music, painting, poetry, and history.

Example Poem

It’s Jazz

I hear the call of the cornet
I hear a swinging clarinet
They’re playing HOT jazz in the heat
Of old New Orleans
The rattling banjo pays its dues
To the Preservation blues
They’re playing HOT jazz in the heat
Of old New Orleans
There’s a crazy syncopation
And it’s tearing through the nation
And it’s bringing sweet elation
To every single tune
It’s jazz
There’s a drummer rat-a-tatting
There’s a patent shoe that’s patting
While a laid-back cat is scatting
About flying to the moon
It’s jazz
In the HEAT of New Orleans


Activity
To introduce this poem to students, begin by playing a little jazz music for students to get a feel for the musical style. You might play one of the jazz musicians named in the poems, like Louis Armstrong, Robert Johnson, or you might select an artist from the jazz timeline at the end, such as Billie Holiday, Duke Ellington, or Benny Goodman.

As an extension after reading the poem, allow students to make their own percussion instruments like tin can drums, sand blocks, water bottle rattles, or even a homemade didgeridoo. Then, either as a whole class, in small groups, or even as individuals, students can practice the rhythm of the poem with their instruments and perform their own interpretation of this poem or other poems from Jazz.

Tuesday, March 21, 2017

Science Poetry: Beast Feast

Florian, Douglas. 1994. Beast Feast. San Diego: Harcourt. ISBN: 0152951784.
Image courtesy Amazon.com

Review and Critical Analysis
Douglas Florian's Beast Feast contains 21 poems depicting all types of animals. Some animals such as the ants and the caterpillar are very familiar, while others, like the rhea and the kiwi, are more unusual. Each of the book's spreads pairs one of the poems with a whimsical, full-page watercolor painting of the animal.

The poems in Beast Feast rely heavily on playful rhyme and strong rhythm for their appeal. Florian uses traditional rhyme throughout the book. For example, in  "The Sloth" he rhymes "claws" and "pause," but he also plays with pronunciation and invents words to add a comical effect. In "The Walrus" he rhymes the word "sea" with his invented "walrusty," and in "The Boa" he plays with the word more, writing it as "moa and moa."

While all the poems play with rhyme and rhythm, they structures vary significantly. They vary in length from the two-lined "The Boa" that is a fairly simple rhyming couplet to the 20-lined "The Pigeon." Several of the poems are structured as quatrains, while my personal favorite, "The Mole" is written as a two-stanza limerick. The variety of poems and structures and lengths ensure there's a poem for everyone in this book.

Florian's language in Beast Feast is very accessible for children. The wording and descriptions are mostly straightforward, with an occasional simile such as referring to a lobster as being "Like an underwater/Mobster." He does include some scientific vocabulary such as "crustacean," "invertebrates," and "reptilian" that might need explanation for younger students who have not learned the vocabulary, yet. Their inclusion, however, is not so intrusive that students who might select this book from the shelf will be completely confused.

Douglas Florian's Beast Feast won the 1995 Lee Bennet Hopkins Poetry Award and is an excellent science resource for the library or elementary classroom.

Example Poem

The Lobster

See the hard-shelled
Leggy lobster
Like an underwater
Mobster
With two claws
To catch and crush
Worms and mollusks
Into mush
And antennae
Long and thick
Used for striking
Like a stick.
So be careful
On vacation
Not to step on
This crustacean.

Activity
"The Lobster" is an especially useful poem to use with a unit on ocean life. To introduce the poem, I would engage children in a conversation about their favorite underwater animal. Ask them to share what makes that animal special before reading about the legs, pinchers, and antennae of the lobster.

As an extension, have the children write a poem about their favorite ocean animal. Encourage them to try using rhyme or a simile like the poet does in "The Lobster." The poems can also be illustrated with traditional art supplies, or the poem and illustration can be designed using an iPad or computer.